Kampala: The debate over music copyright protections in Uganda has intensified following comments by music executive and businessman Nyanzi Martin Luther, who criticized top musicians and the Uganda National Musicians Federation (UNMF) over their handling of artists’ rights.
Martin Luther addressed singer Eddy Kenzo, highlighting what he described as a lack of advocacy for fellow musicians:
“Eddy Kenzo, now what gains did you protect for your fellow musicians or you protected your house gains. Eddy Kenzo will never be called among the Big Three to become the Big Four unless he works on copyright and according to our way of things he will never get a copyright because once he is given a copyright he will be free to leave the cabinet work but he has to be there, he still has to sing more on even Gen Muhoozi’s rallies in 2036.”
He also noted that Kenzo must continue performing actively to maintain his standing as a “big artist” while contrasting him with what he called “fallen artists”:
“Fallen artists I see some like Fik Gaza he stopped having hits in 2024 and they are shouting copyright… Please if you need copyright accept and support the current government we shall award you copyright.”
Martin Luther further criticized other musicians seeking copyright without supporting the government:
“Feffe Bussi, even if you release hundreds of songs about the government we shall not award you copyright unless you support the government… go to the so elected president and ask him copyright not the one leading Uganda now.”
Copyright Law and Industry Challenges
Uganda’s music copyright framework has undergone reform in recent years. In 2025, the government rolled out the Copyright Management System, which tracks public plays of music and distributes royalties to creators. The system is intended to ensure that musicians are compensated when their works are used commercially, with enforcement led by the Uganda Communications Commission and Uganda Police.
Artists have expressed differing views on the reforms. Bobi Wine has emphasized the importance of engaging with government processes to secure copyright protections, while Bebe Cool questioned the pace and leadership of the reforms. King Saha has criticized the slow implementation, and Nina Roz has called for sustainable solutions rather than temporary aid.
Despite legislative progress, challenges such as piracy, compliance costs, and political influence remain. Observers say ongoing debates, including Martin Luther’s recent statements, underscore the need for clarity and fairness in the application of copyright protections for Uganda’s music industry.
